For some reason, I didn’t book a ticket for New Adventures 2011 before they sold out. I was gutted – somehow I’d just completely forgotten to book a couple of tickets. A week or two later I remembered my failure, and made some silly comments on twitter about breaking into #naconf. Before I knew it, a rather lovely fellow found a ticket for me, and I am now able to write this informal little review of the very first New Adventures in Web Design conference, one of the most enjoyable conferences I’ve ever been to.
My focus will be on the conference content, not experience – plenty of people are writing about how the day went, but I’d like to look at the content and what you can take back from it. I’ll list the sessions, (try to) write about them individually - whatever I remember (made no notes), and end with some general comments and constructive criticism about the conference.
Dan Rubin spoke about the language we used in our industry. He discussed how important words as language are, and about how the vocabulary we use in web design has parts borrowed, inherited and accidentally coined. Dan set the tone for wanting to see a maturity happen in the industry – a theme that carried throughout the day, arising in most of the speaker topics. One major point made, is that we have many terms that cause confusion because we’ve borrowed them from other, or similar, industries. For example, the word Page, or the phrase ‘The Fold’. What does a page mean in web design? Can we begin to iterate over our language, and unify it to reduce confusion between agencies, clients and practitioners? Our industry is roughly 15 years old, and it is growing up.
Admittedly, I wasn’t quite sure where Mark Boulton was going with his talk initially, but it gained pace – I think. I believe Mark Boulton has more material on this subject than he included in his presentation, but I got the gist of his message: In our age of varied viewing devices (sizes, nature, context) we need a way to fundamentally improve the connectedness of the viewer to the content (through design/grids). Mark kinda lost my attention with something he said, but I won’t get into that.
Sarah Parmenter was quite a change of scenery from the last two topics, she talked about the adaptive unconscious and designing experiences through emotional design (leading quite nicely into Jon Tan’s message later on). She went into a Malcolm Gladwell type discussion on when Coke changed their formula to react to Pepsi’s competition and realised the visual brand affected the taste etc. Sarah also talked about how she won lots of business by giving a load of businesses in one area a valentines day card, attached to balloons. The result was an inspiring display to open up shop to, and a load of new business for her.
Sarah also brought up a very good point about colour, and the differing cultural meanings (e.g. love, death, hate) – important if a worldwide audience is important for communication.
Don’t over design everything. Why are you making that panel pop-out and using a hovering card metaphor? Elliot showed us loads of badly-designed stuff, and we all felt better about ourselves for it. He also had a moan.
I really enjoyed this one. Jon’s focus was about gut reaction to visual design and our resulting emotion. Many photographic examples were given – and Jon gave a background to his points by noting his discussion with a neuroscientist about immediate emotional reactions. How, physiologically, we change after emotively-inspiring visual stimuli. I’ll be honest, I can’t remember much more exact detail as I didn’t take any notes, but the major take back is below. His presentation perfectly fit his message, and Jon inspired many questions and discussions which carried through the day.
Tim gave some really helpful and practical advice in this session. He effectively covered the relationship of a designer to a client. Including advice on subjects like Projects, Yourself, Clients, and …something else I can’t remember (must find his slides). I found Tim’s sharing of experience quite encouraging, and the practicality of it was a nice break from the conceptual stream of the morning.
Yes.
Greg led us through some A/B testing of two sets of 50 users viewing regular (text-only, basic styles) content and Art Directed content. The content was a Jamie Oliver recipe, and an educational article about dinosaurs.
The conversation that Greg dipped into is one that inspired torrents of thought. It’s something not many people do (well), and yet the web is about communication. It has certainly inspired me greatly, and will no doubt influence my progression as a designer.
I’ve always wondered who Veerle is, and now I’ve seen her in person, I can understand a little better what influences her visual style. She loves experimentation, and especially colour – a focal point in this session. Veerle attempted (her words) to describe how one gains inspiration in her line of work, and led us through some of the processes she went through with specific pieces. There are some simple take back points here.
The Bastard. Andy Clarke’s keynote cowboy-themed foray into the world of comic books completely and utterly engaged me. He really is excellent at what he does, but I almost hate him a little bit because he is so aware of this fact.
Andy did something quite different, rather than the usual detail about technology, Andy introduced the idea of story telling on the web, and pace through techniques used in comic books such as panel size contrast. The size of panels in comics indicates how much time you should spend reading it – this is an intuitive thing for a comic book reader to understand. In web design, we tend to give content just enough space.
Andy was definitely a highlight of the conference, it’s amazing that he can be so engaging and informative while actually saying very little. Andy opened an interesting discussion of pace, and how we visually infer meaning from design techniques.
“I wish Brendan Dawes was my dad.”
You would resonate a little with this comment after seeing him in this session. Brendan was a fantastic session to end the day, he holds his own on-stage and inspires a feeling of excitement and experimentation. He also makes you piss yourself with laughter.
Brendan started by telling us how he’s having this big change in his life, where he’s trying to get rid of all the crap (mediocre, bad) in his life, and replacing it with good, wholesome things. I think the context is products, and things he uses – but I suspect there’s more to it.
Brendan Dawes is obsessed about pencils. He only uses one pencil – and I can’t remember the name of it. In case you don’t know, he created the successful MoviePeg, and discussed the iterations he went through when designing it. He ended up on the first design he made.
Because Colly put his heart and soul into it. Thank you.
So there you have it. Great topics, great speakers, great value for money. I’ll be there next year, if I remember to buy a ticket!
If you’re thinking of going next year, connect with me on Twitter, or Lanyrd.